A wrapped bus is the biggest moving advert a brand can buy in a city, and it is seen by the people who never look at a screen. We produce and fit bus advertising wraps for brands, media agencies and operators at our Caterham unit, indoors, in a facility built to take a double-decker. Seven double-deckers and five trucks for the Queen's Platinum Jubilee Pageant, the Labour campaign coach, Take That's fan bus and Aitch's tour bus have all been through here.
Campaign wraps are designed to go on to a deadline and come off clean when the campaign ends. That second part is where most bus advertising goes wrong, and it is where we start.
“Our team are able to speak to our Wrap Cube Account Manager 24/7 and arrange emergency fixes for damaged vehicles or change our vehicle bookings at the last minute. We wouldn’t trust our fleet with anyone else.”
Andy, PRS Distribution, fleet clientBus advertising comes in three formats and the right one depends on the campaign length, the budget and how much of the vehicle the operator will release. A full wrap turns the whole bus into the brand and is the format for launches and campaigns that need to own the road. A partial wrap covers the sides and rear over the base livery and delivers most of the impact for a lot less film and downtime. Panels are printed graphics applied to defined areas, the rear, the side between the wheels or a window band, and are the format for short campaigns that change month to month.
Campaign work has a launch date and the media has been booked around it. The Jubilee Pageant was twelve vehicles, seven of them double-deckers, wrapped to a single date for a broadcast watched by millions, with no second chance. What it needed was artwork proofed on templates of each bus type, film printed and laminated in batches, and vehicles scheduled through the unit in an order that kept the operator running. That is the process every campaign gets, whether it is one bus or twelve.
We proof on a panel map of the exact vehicle so a seam never cuts through the headline and the destination board does not sit over the logo. Once the proof is signed off the print runs overnight, the bus comes in, and it leaves on the day we said it would. The Take That and Aitch tour vehicles were both wrapped to the first date of a tour.

Most bus wraps are removed within a year. That is the part of the job operators worry about, because a campaign that leaves adhesive or lifts paint costs them a respray and costs you the relationship. We specify the film for the campaign length: a removable cast film for three to six month campaigns, a longer-life laminated film where the wrap is staying a year or more. Either way the film is designed to come off in sheets with heat, leaving the livery underneath as it was.
We quote removal alongside the fit so the whole campaign cost is known up front, and we can fit the next campaign in the same visit. Operators around Croydon, Redhill, Crawley and Gatwick, and London tour and shuttle operators, use us for exactly that rotation.
Four kinds of client buy bus advertising from us. Brands running a launch or a seasonal push who want the vehicle to be the campaign. Media agencies who have sold the space and need a production partner who will hit the date. Operators who sell their own advertising positions and want a fitter who will not damage the livery. And event teams who need a hospitality or sampling bus that looks the part outside and works inside.
Nike, Red Bull, Vita Coco, Rude Health and Puma have all had campaign vehicles through the unit, and the Jubilee, West Ham and Take That buses are the ones we point to when someone asks whether we can handle numbers and dates. Several hundred vans a year for local trades keep the installers sharp in between.
Buses are washed hard, often, with strong chemicals, and they live outside. We print on HP latex to HP's colour profiles, on 3M IJ180 or Avery MPI cast film, laminated, because cast film holds on big panels and over rivets and does not shrink back from its edges. Colour is matched to your brand references and proofed before anything is printed. As a 3M Select Gold Partner the film is fitted to the manufacturer's specification and carries their warranty on the finished graphic.
For window graphics we use perforated one-way vision film so passengers can see out and the advert reads from outside. Which windows can be covered varies by vehicle and use, and we will advise on your operator's rules.
A full double-decker is typically three to five days including settle time. Partial wraps and panels are one to three days. We will give you a dated plan once we have the vehicle list and the artwork.
Yes. Agencies bring us the artwork and the campaign dates; we produce, fit and remove, and we work with the operator on positions and scheduling.
Three to five days for a full double-decker including settle time. Partial wraps and panels take one to three days.
As long as you need. We specify the film for the campaign length, from three months to several years, and it comes off cleanly at the end.
No, on paint in good condition. We specify removable cast film, remove it with heat, and quote the removal with the fit so there are no surprises.
Yes, with perforated one-way vision film on passenger windows. Driver visibility windows stay clear and we follow the operator's rules on coverage.
Yes. The Jubilee Pageant was twelve vehicles to one date. We plan it as a fleet: templates, batches around the timetable and a named account manager.
Yes. Through the Cube Branding group we handle event graphics, build and design, so a hospitality or sampling bus can be wrapped outside and fitted out inside in one project.
Tell us the campaign dates, the vehicles and send the artwork. We'll come back with a proof on the bus type, a dated plan and a price. 020 8944 6360.